Some of you are reblogging because you think its funny that programmers would talk to ducks. I’m reblogging because I think its funny picturing a programmer explaining their code, realizing what they did when they explain the bad code, then grabbing the strangling the duck while yelling “WHY WAS THE FIX THAT SIMPLE!? AM I GOING BLIND!”
AS A PROGRAMMER I CAN TELL YOU THAT THIS IS EXACTLY WHAT YOU FUCKING DO WE HAD TO BAN THE DUCKS FROM MY CLASSES BECAUSE EVERYONE WOULD FLIP THE DUCK OR THROW IT AT A WALL OR SOMETHING WHEN THEY FIGURED OUT THE PROBLEM IN THEIR CODE
so that’s the function of a rubber duck
The function of the duck is to give you someone to talk to without bothering classmates for colleagues. By talking out loud to the duck, you hear your code instead of just seeing it. It’s the same reason writers often read their work out loud to themselves, or give it to someone else. The idea is to have a fresh pair of “eyes” examine your work. Even if you’re just talking to a “duck”, you’re still analyzing what YOU say, often making your error more obvious than it was when you were staring at your computer screen going “WHY ALL THESE ERRORS. WHERE’S THE TYPO. WHERE IS ITTTTTTTTT” while crushing your monster can.
if you reblog this or any variation of it i will unfollow you so fast your head will spin right off of your shoulders and into the trash where it belongs
Flappers shaming Miley Cyrus.
Oddly enough we could say that Miley Cyrus is following solidly in the appropriative footsteps of white flappers, who in the 1920s grabbed national attention and stirred alarmism concerning the end of civilization because they partied to Black music, wore their hair short like Josephine Baker (who fled US racism to become a superstar in Europe), and imitated dance moves from Baker and other Black dancers. The famously flapperesque Charleston was lifted from the African American dance called the Juba, which had West African roots and was danced in secret in the South and the Caribbean. The dance sped up when it reached Harlem, giving birth to both tap dancing and the Broadway hit called The Charleston, which spread like wildfire from there. White people didn’t sway their hips this scandalously prior to that era, making flappers roughly equivalent to white twerkers of the Jazz Age.
This is 100% true. The period from the jazz age to the beat generation, comparatively speaking was the height of cultural appropriation of black art. The beat generation used lingo popularized by Lester Young. They then appropriated the style, dress, and lingo of bebop musicians like Charlie Parker and Dizzy Gillespie, down to the beret, glasses, and soul patch. Bebop musicians, Parker and Gillespie in particular, were the blueprint of their image. Norman Mailer wrote an essay titled “The White Negro" that tackles this phenomenon. I’m no fan of Norman Mailer, but at least he admitted that white people were stealing from blacks. He wrote it in 1957.
With regards to the flappers, apart from Josephine Baker, they also liberally borrowed from black vaudeville performers. They would copy dance moves from black performers, and then introduce it as their own. Many dances attributed to whites are from black vaudeville performers who were forced to perform on the chitlin’ circuit because of segregation and Jim Crow laws.
It really is astonishing how nothing has changed in this regard. For example, people to this day still call Benny Goodman “the king of swing”, when what he did was procure charts for arrangements from Fletcher Henderson, a black man. Goodman’s biggest hits were from Henderson. It’s amazing how much credit Goodman gets for another man’s work. Of course Goodman became “the king of swing”, while Fletcher Henderson remains a footnote in history. How a white man becomes the king of something innovated by blacks is astounding. Benny Goodman is called “the king of swing”. Paul Whiteman is called “the king of jazz”. Elvis Presley is called “the king of rock n roll”. Is Eminem the king of rap? What about Justin Timberlake and Robin Thicke with r&b? Miley is soon on her way to become “the queen of twerking”.
Anyway, apart from getting his charts from Fletcher Henderson, Benny Goodman got his ass handed to him by Chick Webb at the Savoy Ballroom when they had a battle of the bands. Goodman is often noted as being one of the few white men in the segregation era to have black men in his band, and the narrative is typically presented as if he did it out of benevolence. He did it because there was no way to get around the fact that swing music was the domain of black folks, and he poached the best black players he could find to bolster his band, and black musicians went with him because as a white man, he was able to pay them more than black bandleaders, and they wouldn’t have to deal with indignity while traveling. Many hotels refused black bands, so they often had to sleep in cars, bus terminals, or crash at the homes of hospitable blacks. A big portion of Duke Ellington’s money went towards renting out train cars and making sure his orchestra had a place to sleep while on the road because hotels often turned them down because they were black. These were issues Goodman wasn’t going to face. Black musicians certainly didn’t go with him because he was the best. Goodman even later hired Henderson to arrange and play in his band. He wasn’t doing it because he loved black people. Black people were the ones creating and innovating. Where else would he get the best charts and arrangements? Now that the smoke has cleared and the dust has settled, Goodman gets all the credit. Funny how that works.
This stuff has been going on for a long time. Miley is the 2013 version. Twerking has been around for a long time, but Miley convulses on national tv and all of a sudden, dictionary definitions of twerking are made. Definitions complete with no mention of black people, like all this happened in a vacuum. It’s history repeating itself over and over again. I see the same thing happening with afrobeat music.
- This INCREDIBLY important. This should be talking in fucking American history in high school, because I remember my fucking history teacher talking about flappers and the change in music at the time, but no one EVER talked about the racial issues at play and they are SO IMPORTANT.
- Miley goddamn Cyrus will become the queen of twerking of Nicki Minaj’s dead fucking body.
Jazz was considered “the devil’s music” by many of these girls’ parents…
why do black people use you in the wrong context? such is "you ugly" instead of "you're ugly" I know u guys can differentiate, it's a nuisance
you a bitch
It’s called copula deletion, or zero copula. Many languages and dialects, including Ancient Greek and Russian, delete the copula (the verb to be) when the context is obvious.
So an utterance like “you a bitch” in AAVE is not an example of a misused you, but an example of a sentence that deletes the copular verb (are), which is a perfectly valid thing to do in that dialect, just as deleting an /r/ after a vowel is a perfectly valid thing to do in an upper-class British dialect.
there is not one search term here that isn’t magical
i know ive reblogged this before at least twice but i decided to read through the entire thing this time and im in pain from how hard i am laughing please forgive me
did a ghost do my taxes. i’m scared of eating ribbons.
This may be the most hilarious list ever.
"am I old enough to walk"
"jobs that require you to fail drug test"